求助

afei

帮忙看看这里有什么地方翻错了的。在线等。
留学是20世纪前半叶中国美术史上最显著的现象，而其中又以去日本最多，影响也最为广泛。中国人去日本留学是因为日本学西方取得了成功，我们除了是去学先进科学文化经验，还怀着怎样学经验的目的去的，有鲁迅、郭沫若改行为证。这个学的过程不仅仅是和盘把人家的东西全学过来，还有一个痛苦的思索、筛选的过程，这就是为什么去日本留学的中国画家不象赴法的徐悲鸿、林风眠那样，带着很深的外国痕迹，大部分赴日留学生最后都回归到中国画这条传统轨道上来。这种精神的回归有很深的历史思想文化根源。这也是本文探讨的重点。

中日关系，留学，画人，学人，美术教育，美术思潮

Studying abroad is the notable appearance of China fine arts history before 20 centuries half. And among them in order to go Japan most , the influence is also the most again . The Chinese go Japan to study abroad is because Japan learning the west having gained the success . We go to learn advanced science civilization experience except being , and are still cherishing  the purpose how to learn experience wenting to , and have Lu xun and Guo Moruo to change the profession to the evidence . The course of this is moreover All learn other thing, the course that still has consideration of pain and selects . This is why the traditional Chinese painting man who studies abroad to go to Japan not like Xu Beihong and Lin Fengmian who goes to france. and is taking the very deep foreign mark , and day student studying abroad';s finally all recurrence is gone to by the most part .the most part of the pereon who studies abroad to go to japan final all recurrent to the traditional track of Chinese painting. The recurrence of this kind of spirit has the very deep history and civilization origin . This also is the focal point of this text inquirement .
The relation of China and Japan
Studies abroad
Painter
Scholar
Fine arts education
The fine art

bluetulip

[这个贴子最后由bluetulip在 2004/04/23 09:20pm 第 1 次编辑]

用什么译的？错误好像不是一点两点啊！
Studying abroad was one of the most notable phenomenon in the history of China fine arts  during the first half of the 20th Century. Most Chinese went to Japan, which has poured far-reaching influences on Chinese fine arts. The reason lies in the fact that Japan has succeed in learning from the west world . We went there with the purpose to learn not only the advanced scientific experiences and civilization themselves,but also the way how to learn them.
我没时间了，只译了这一段，楼主，我给你发短消息了，如果有需要的话，给我个回复，我明天再帮你译。

afei

东方快车。哈哈。被你看穿了。

疯了

清末民初留日画人学人对中国近代美术的影响
INFLUENCES ON MODERN CHINA FINE ARTS BY PAINTERS AND SCHOLARS STUDIED IN JAPAN DURING LATE QING DYNASTY AND EARLY REPUBLIC OF CHINA

Studying abroad was the most notable phenomenon in the China fine arts history during the first half of the 20th century.  Most of the students chose Japan, and their influence was also the most extensive.  And the reason was that Japan had successful experience in learning the west.  We went to learn not only the advanced science civilization experience, but also the learning experience itself.  Here we had Lu xun and Guo Moruo for example, who had changed theis professions. Besides of learning all the foreign things, it was also a painful course of consideration of selection.  This was why the Chinese painters who had studied in Japan were different from those who had studied in France, such as Xu Beihong and Lin Fengmian with their deep foreign mark.  Most of the students who had studies in Japan were finally all regressed to the traditional track of Chinese painting.  The regression of this kind of spirit had an very deep history and civilization origin.  And this is the focal point discussed in the text.

左右手的爱

大师们好厉害！！！
我是晕啊晕！~~~~

afei

感动中！荣光的兄弟姐妹真是太好了！！！

touxin-sunny

厉害！！！！！
                厉害！！！！！！
美女厉害啊！！！！！！！！